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Write and Publish Short Stories Online
Want to write and publish short stories online? On Fireside it's free and refreshingly direct. Write your own story – lived or imagined – and share it with people who actually read.
Every story is automatically made available in both English and German, gets a calm stage and real feedback from your readers. No limits, no fees – just your words.
Recently published stories
The Advice I Took Back
by Thomas
Thomas, author of a personal finance newsletter, realizes after years of reader feedback that mathematically optimal advice often fails because it ignores human psychology. He publicly retracts his advice to pay off the highest-interest debt first, recommending instead the psychologically more effective debt snowball method. The story illustrates that the best advice is not the smartest on paper but the one a person actually follows through.
The Violinist Who Stopped Auditioning
by JeanPierre
Jean-Pierre, a violinist in his fifties, plays Bach's Chaconne daily in a Paris Métro corridor after fifteen years as a substitute musician and a devastating age-discrimination rejection at a blind audition. The tunnel's accidental reverb and anonymous audience free him from the judgment attached to his résumé. A chance encounter with a grieving commuter crystallizes what he has found underground: music heard purely as music.
The Rule I Never Tell My Clients
by Diane
Diane is a career coach in Chicago who has spent twelve years helping people who want to quit their jobs but don't know what for. Her key tool is a simple question: when did you last work two hours without checking the clock? Her unspoken rule is that most people already know what they want — they just need someone to listen while they say it out loud to themselves for the first time.
The Sauna Etiquette Nobody Follows
by AnnaLiisa
AnnaLiisa has run a public sauna on a Finnish lakeside for eight years, observing how the supposedly sacred, unspoken rules of sauna culture are rarely followed consistently in practice. She describes silent power struggles over the ladle, loud business negotiations, and the paradoxical social dynamics that emerge when everyone sits naked and sweating side by side. Her final observation cuts to the heart of Finnish character: conflict is only permitted when it concerns water on hot stones.
What Was Left of the Mine
by Jakub
Jakub, a former miner from Upper Silesia, now works as a museum guide in the very mine where he spent twenty-two years underground. He must present the history in a family-friendly, entertaining way while carrying the weight of personal loss, including the death of his best friend in a 2003 collapse. His story captures the tension between lived trauma, regional economic decline, and the commodification of industrial heritage.
The House Three Families Didn't Want to Share
by Magdalena
Magdalena and her two brothers inherited their family home near Kraków and endured eighteen months of quiet, exhausting negotiations that were ostensibly about money but really about memory and belonging. Their compromise — renting out the house, splitting the income, and returning together each August — satisfies no one fully. Yet the second August surprised them all with an unexpected sense of peace.
What the Waiting List Taught Me
by Helga
Helga, a Viennese psychologist with over two decades of experience, describes how waiting times at her public counseling center have grown from two weeks to four months. She observes that merely being on a waiting list gives some people enough hope to survive a crisis – a fact she finds deeply unsettling rather than comforting. Against her employer's guidelines, she uses her lunch breaks to make brief calls to those waiting, simply to let them know they have not been forgotten.
What My Father Never Taught Me
by Tobias
Tobias, a father for seven months, notices how deeply his own father's emotional patterns are rooted in him – a man raised in a postwar Dresden family where feelings were suppressed rather than expressed. In a concrete moment at the pediatrician's office, he catches himself repeating old phrases and consciously chooses a different response. Since then, he keeps a kind of internal inventory: what do I actually say, and what is my father saying through me?
The Grandfather Learning His Grandson's Rules
by Pieter
Pieter, an elderly farmer, moves in with his daughter after a hip operation and discovers an unexpected role reversal through his nine-year-old grandson Bram: he becomes the student. The two develop an unplanned exchange – Bram teaches Pieter the digital world, Pieter shows Bram practical farmwork – and find a rare, tender connection in the process.
The Grandson Who Doesn't Speak My Language
by WernerK
Werner, 75 years old, sees his grandson growing up in Vancouver only twice a year and painfully experiences that the seven-year-old barely speaks German. A quiet turning point two years ago – a picture the grandson showed him that Werner couldn't understand – prompted him to start learning English himself. He wants to at least halve the linguistic distance, so he can one day tell his grandson directly that he loves him, without a translator present.
The Monk Who Won't Hand Over His Phone
by Nikolai
Nikolai, a former Orthodox monk, returns to city life with an unconventional spiritual practice: keeping his phone visibly on the table without checking it, as a form of modern contemplation. He leads a small weekly group in a café, teaching not digital abstinence but resistance to the impulse itself. For him, this is a more honest path to inner stillness than retreating to the forest.
My Neighbor and the War Over the Leaf Blower
by Bill
Bill and his neighbor Ron have been engaged in an unspoken lawn-equipment arms race for years, each escalating their leaf blower arsenal without ever acknowledging the feud. The rivalry peaks one Saturday morning when both men show up simultaneously and burst out laughing at the absurdity of it all. What started as silent competition ends in honest camaraderie over coffee.
Read first, then write
The path to your own story often runs through reading. Browse the short stories on Fireside to find the tone that fits you – then write your own.
New to writing? Our guide to becoming a better writer, tips for overcoming writer's block and an explainer on what editing brings will help you further.
Write a storyFrequently asked questions about writing short stories
How can I publish my own short story online?
On Fireside you create a free account, write your story directly in the editor and publish it with one click. It appears in the discover feed right away and can be read by everyone.
Is it free to publish short stories on Fireside?
Yes. Writing and publishing on Fireside are free and unlimited. There is no cap on how many short stories you can share.
Do my stories have to be true, or can I write fiction?
Both are welcome. Fireside is open to the lived and the imagined – from quiet everyday observations to pure genre fiction. What matters is the story, not whether it really happened.
Will my story be translated automatically?
Yes. When you publish, Fireside automatically creates an English and a German version so readers can find you in both languages.
How long should a short story be?
A short story focuses on a single moment, character or feeling and is usually read in a few minutes. What matters more than length is that it works in one sitting.